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The Surprise Party Essay - 287 Words - StudyMode
As a companion piece to "Mooning," Rizzo makes the comparison more personal with "Look at Me, I’m Sandra Dee," an assault on Sandy’s false role models, a shot across the bow, making certain that Sandy knows that Rizzo knows that it’s all bullshit. The music is a classic, brilliantly imitative 1950s novelty song, with a meter and an introduction lovingly ripped off from David Seville’s "The Chipmunk Song," the surprise hit of the 1958 Christmas season. But the laughs get even darker when you realize that every male movie star mentioned in the lyric was a closeted gay man, forced to live a lie by his studio. This is a song about sexual repression, false lives, and false role models, and it’s proof that Rizzo knows more than we thought, that she has genuine insight into the world around her. And this peek into her mind allows her to carry the weighty "There Are Worse Things I Could Do" later in Act II.
The ethic, if that’s what it could be called, was simply: Don’t get in trouble. The sexually active lived in fear of pregnancy. The Kinsey Report had revealed that a large number of women were having premarital sex. A third Kinsey Institute report on Pregnancy, Birth and Abortion, which was published in 1958, would reveal that one out of every five women who had premarital sex became pregnant. Of those, one in five would be forced into marriage. The other four women had their pregnancies terminated by abortion.
My English Essays: My Surprise Birthday Party
The phenomenon that was began its long life in the summer of 1971 at Chicago’s Kingston Mines Theatre, in which its authors Jim Jacobs and Warren Casey were acting ensemble members. The show opened February 5, 1971, in a basement theatre where an audience of a hundred sat on the floor on newspaper. The set consisted of backdrops painted on brown paper. At that time the show had far less music, far less plot, and no central characters. But it did have infectious songs like "Greased Lightning," "Beauty School Dropout," "Those Magic Changes," and "We Go Together," and a solo for Patty Simcox that was later cut, "Yuck." New York producers Ken Waissman and Maxine Fox saw the show and recognized its surprising honesty and the appeal of its rough edges. Two of the Chicago cast members, Dinah Manoff (Marty) and James Canning (Doody) would play those roles on Broadway. Manoff would continue her role in the film.
Surprise! They had yelled when I entered the room. I briefly stood in at the door in shock, for I could hardly contain the overwhelming feeling I felt at the time. After a few seconds, I joined the crowd in the shouting, tears running down my cheeks. This was my twelve-birthday party, and I could hardly believe that my parents and friends had managed to pull it off without my knowledge. I stood at the door, looking at the faces of the eager crowd. My parents stood at the front of the room near the table. Their faces were beaming with joy, and they seemed as happy as I was at the time. They had that look on their faces, as if they had won something. They were standing behind the round table where a two-tier cake was placed. It was beautifully decorated in my favorite colors. It was a heart-shaped white cake, with silver trimmings on the edges. At the extreme ends were little blueberries, my favorite. On the center was a creation of a guitar drawn in black, something I really appreciated since playing the guitar was my hobby. The details on the cake showed the thought my parents had put in the party, and it made me realize that the party was not a last minute decision.
Essay On a Surprise Birthday Party Free Essays - …
The Surprise party is so popular that we have dedicated this entire section to Surprise birthday party ideas.
Read through the Surprise party ideas and incorporate the best birthday party ideas into your party. Create your own party plan and remember to include invitations, decorations, games, activities, party food, beverages, party cake, party snacks, gift bag favors, costumes and gifts.
Have a super Surprise party!
The year is 1959, a pivotal moment in American cultural history, when rock and roll was giving birth to the Sexual Revolution and everything in America culture was about to be turned upside down. Record companies were releasing more than a hundred singles every week and the country was about to explode. , generally considered a trivial little musical about The Fabulous Fifties, is the story of America’s tumultuous crossing over from the 50s to the 60s, throwing over repression and tradition for freedom and adventure (and a generous helping of cultural chaos), a time when the styles and culture of the disengaged and disenfranchised became overpowering symbols of teenage power and autonomy. Originally a rowdy, dangerous, over-sexed, and piece of alternative theatre, was inspired by the rule-busting success of and shows like it, rejecting the trappings of other Broadway musicals for a more authentic, more visceral, more radical theatre experience that revealed great cultural truths about America.
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