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Chris Marker: Eyesight - Film Comment

The peripatetic and famously elusive Marker created this film essay, his first account of Tokyo, during the Olympic games, acting as usual in the triple role of cameraman, scenarist, and editor. The tour of Tokyo is conducted by Koumiko Muraoka, a young Japanese woman the director claims to have discovered in the crowds at the games. Mixing elements of the city symphony – street scenes, neon signs, crowds, the monorail – with fragments of comic books and other cultural materials, Marker creates a rich portrait of modern-day Tokyo.

This sublime essay film is one of the towering achievements of Marker’s career.

Chris Marker’s 1960 voyage to Israel resulted in one of his key early works, an exploration of the then only twelve-year-old nation as a world replete with over-determined signs and meaning forged by intense geopolitical pressures and by forces of still indefinite change. Marker's cautious optimism and belief in the kind of ideals embodied in the kibbutz movement gives a richer tremor to the characteristically wry and world-weary poetry of his voice-over commentary. After the Six Day War radically changed the course of Israel and the entire Middle East, Marker withdrew Description of a Struggle, and it has remained largely unavailable until the recent restoration by the Jerusalem Film Archive.

Sans Soleil - Chris Marker (trailer 30th ..

In the case of Sans Soleil the images alone would not be essayistic because you would not have an understanding of them.

It can be argued that Chris Marker’s Sans Soleil is an essay film based on most if not all of Lopate’s defining characteristics.
The first characteristic that Lopate defines is, “An essay-film must have words in the form of a text either spoken, subtitled, or intertitled” (245).

Presented in conjunction with the MIT List Visual Arts Center’s exhibition Chris Marker: Guillaume-en-Égypte (Oct. 18 – Jan. 5, 2014), the first comprehensive presentation of Marker's pioneering work in text, photography, film, video and digital media, reflecting his role as a chronicler of the second half of the 20th century through its images. The exhibition is presented concurrently at the Carpenter Center of Visual Arts (Oct. 18 - Dec. 22, 2013).

The Essay Film and Chris Marker’s Sans Soleil -- Film …

Directed by Joris Ivens, William Klein, Claude Lelouch, Agnès Varda, Jean-Luc Godard, Chris Marker, Alain Resnais
France 1967, digital video, color, 115 min. French and English with English subtitles

Marker's rarely seen first documentary feature offers a fascinating early, still not fully formed, expression of his distinct style and essayistic approach. A chronicle of the 1952 Helsinki Olympics, Marker's debut film is noted for its lightness of touch, for the ways the camera constantly wanders away from the athletic spectacles to linger on the apparition of a face in a crowd, or the comic antics of a seal, or the ironic unfurling and pomp of a Coca-Cola flag.

08 May 2014.Sans Soleil.
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Alain Resnais & Chris Marker - Les Statues Meurent …

Authorial presence is primarily aligned with voice-over The Importance of a Platform
to Encourage Recognition What can the discourse of (film) genre
studies teach us about the 'genrification' of
the essay film?

"Chris Marker, the most poetic and ..

Fabuleux montage documentaire de Chris Marker, qui retrace les luttes révolutionnaires qui ont secouées le monde de 1967 à 1977. Composé pour la plupart de.

Part of the allure of French filmmaker Chris Marker — besides his ..

Melodrama as films that are all
about 'eve.' Sirk-centric
Linda Williams
Opens a Can of Worms
Reconfiguring the Essay Form Reconfiguring the Essay
Film Form

Primary Vococentrism: The fact that most film's soundtracks are dominated by the human voice
and dialogue.

Secondary Vococentrism: A film whose structure, rhetoric, narrative and cumulative expressive means
are dominated by an authorial voice -- voice here as pertaining to 'filmmaker' and her composite enunciation or person, personality and world view.
If a dialogue can be achieved via purely visual means, in other words, if the enunicator is able to convey an argument and enter into a dialogue with the spectator through images unaccompanied by commentary, we can call that an essay film.

Chris Marker: Guillaume-en-Égypte - Harvard Film Archive

Le Fond de l'air est rouge est un film de Chris Marker avec Yves Montand, Simone Signoret. Synopsis : Documentaire composé de deux parties, "les Mains fragiles" et "les Mains coupées" sur Mai 68 et ses suites.

Chris Marker | WikiSciFi | FANDOM powered by Wikia

Christian François Bouche-Villeneuve (conocido también con varios sobrenombres, pero sobre todo como Chris Marker) (Neuilly-sur-Seine, Francia, 29 de julio de 1921.

Chris Marker, filmmaker and lover of cats, dies at 91 | WBEZ

The quizzical love of animals expressed throughout Marker's cinema is given a new dimension and urgency in Vive la baleine, a short essay film which traces the history and mythology of the whale and dark shadow of man's troubled relationship with the sea creature, co-directed by Italian painter, ethnologist and documentarian Mario Ruspoli.

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