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At a Georgetown dinner party, Jackie was first introduced to John F.

Jackie seldom slipped up in public, but when she did, her response could be ruthless. Over coffee, former Viking Press president Thomas Guinzburg is eager to tell the story he has waited for Jackie's death to reveal. In 1977 in a highly publicized move, Jackie resigned from her first bookpublishing job, as a consulting editor at Viking, supposedly because Guinzburg had surprised her by publishing Jeffrey Archer's novel Shall We Tell the President? The book, a fictionalized account of a plot to assassinate "President" Teddy Kennedy, was excoriated in the press, and particularly by New York Times critic John Leonard, who ended his review, "Anyone associated with the publication of this book should be ashamed of herself."

However, long before this tragic day, the public had different views of Jackie Kennedy.

Kennedy was an especially bright young man with many talents, in 1940 he graduated from Harvard University, where he also played football like his brother Jack, in 1940....

Two very good examples of this are Jackie Onassis and Michelle Obama.

In the book, �The White House: An Historic Guide (6-18), Jackie created a White House Fine Arts Committee to help her in restoring the White House beauty, and she hired a curator, which oversaw publication of a ...

Many find it curious that the family should have chosen this route, with all its voyeuristic ramifications. Even those inured to the commercial theater of the celebrity auction find it bizarre, even "unseemly," that the public be invited to paw through the personal belongings of the former First Lady. "It could have been done discreetly, through private dealers," says one grande dame and former resident of Mrs. Onassis's Fifth Avenue apartment building. "There are many, many other ways to do these things." (In the late 60s, in fact, after Jackie moved to New York, she sold a fair number of objects and furniture anonymously through Sotheby's. One New York collector has 100 wineglasses from the Kennedy White House to prove it.) Most people assume that the motive is money, that the publicity of an auction will generate skyhigh prices. "They're going to pay for the paper napkins," says an art and auction observer. "Americans love provenance."

From there, Jackie and John�s relationship progressed.

As the saying goes, "You gotta pay the dues if you wanna sing the blues." In no other way than persevering the suffering of abandonment, separation, divorce, infidelity, loss, alcoholism, and prejudice could Jackie Kennedy, Bessie Smith, and Mahalia Jackson have inspired the powerful empathy of a nation.

"We rejoice in our suffering, because we know that suffering produces perseverance; perseverance, character; and character, hope." This biblical scripture personifies the lives of Jack8ie Kennedy, Bessie Smith, and Mahalia Jackson....

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After the Kennedy�s were married, Jackie had to adapt to a new life.

Jacqueline Lee Bouvier Kennedy Onassis did go through “the good, the bad, the hardship, the joy, the tragedy, love, and happiness” during the sixty-four years of her life....

Jacqueline was nicknamed "Jackie" after her father, Jack Bouvier.

The secrecy has only fueled interest in I the sale; as a result of the public filI ing of the will, a list of the probable auction contents was obtained and published last July. Jackie's former White House social secretary, Letitia Baldrige, scoffs that "none of the good stuff is on that list. It's only the residue."

Young Jackie’s parents were a very well off coupled.

But many New York connoisseurs argue that few of the possessions were "good" in the first place. "People will be surprised at how ungood the things are," says one who knew Jackie's apartment well. That observation may startle those who remember the famous televised tour of the White House (CBS, 1962), in which Jackie assumed the role of the nation's most exalted housekeeper, connoisseur, and scavenger of fine and historic furnishings.

Jacqueline sheltered Caroline and John Jr.

Even if Jackie had a limited amount of money to spend when she moved to New York in 1964, New Yorkers more accustomed to lavish displays of freshly milled chintz and newly quarried marble didn't understand her classic American style, which values comfort and continuity over the whims of fashion. They seem disconcerted that she never traded up: her library carpet was threadbare, the fabric on the diningroom walls (originally bought for a dollar a yard on Orchard Street on New York's Lower East Side) faded, and her kitchen, in the words of one friend, "deplorable." They find it peculiar that she engaged a succession of decorators over the years—notably Albert Hadley, the late Harrison Cultra, the late Vincent Fourcade, Georgina Fairholme, Mark Hampton, and Richard Keith Langham—but the look never changed. (The last refurbishing was done, eerily, in the bedroom where she was to die. Only months before she became ill, Langham replaced the bed hangings with Scalamandre glazed cotton in "Tuileries," a lavenderandsalmon pattern of undulating vines and small flowers. Says Langham, "It's almost as if she knew what was going to happen.")

Jackie was one of the most influential women of her time.

Jacqueline Kennedy’s question was one that needed addressing because for a little over a century American First Ladies’ fashions were constantly being critiqued on a celebrity-like status.

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