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Maya Angelou | Poetry Foundation

. Describes Angelou's stage debut and concludes with her return from the international tour of Porgy and Bess.
. Depicts a totally mature Maya Angelou.

  Bio / Bibliography of Maya Angelou's work.   A Great biographical essay.

write a poetry analysis on the poem “Woman Work” by Maya Angelou. In the analysis you must write about:
1)paraphrasing
2)the theme
3)Rhyme
4)Tone
5)Figurative language
6)sensory language
And you must include everything else in the file i will upload it is very important. Each part in a separate paragraph. thank you.

13 of Maya Angelou's best quotes - USA TODAY

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Maya Angelou personifies the resilience of the human spirit. The experiences of her childhood during the 1930's and 1940's in a racially segregated South, ultimately contributed to her philosophy of endurance despite defeat, and nurtured the author, poet, actress, playwright, film director and producer, and civil rights activist that we celebrate today. She is, in the words of her own famous poem, a "phenomenal woman" indeed.

Angelou was born Marguerite Johnson in St. Louis, Missouri on April 4, 1928. The daughter of Bailey and Vivian Baxter Johnson, Angelou acquired the name Maya from her beloved brother Bailey Jr., who preferred "Maya," to "my sister." When their parent's marriage ended in divorce, young Maya and Bailey were sent to Stamps, Arkansas, to live with their paternal grandmother, whom they lovingly called, "Momma." This period in Angelou's life constitutes much of the content in I Know Why the Caged Bird Sings, the first and most widely acclaimed in her continuing series of best-selling autobiographies. In this volume, Angelou recounts the chilling incident of her rape at the age of eight by one of her mother's friends during one of Maya's sporadic stays in St. Louis with her estranged mother. It was a violation that forced the devastated child into years of unbroken silence. As an unwed mother at the age of sixteen, Angelou was, nonetheless, bent on self-sufficiency, and took various odd jobs in order to sustain herself and her son Clyde (later known as Guy). Her second autobiography, Gather Together in My Name, chronicles this period of struggle in which Angelou found in dance, the beginnings of what would come to be a heralded and multifaceted career.

TOP 25 QUOTES BY MAYA ANGELOU (of 1012) | A-Z Quotes

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Dr. Maya Angelou reminds us not to overlook the beauty and drama that exists in the ordinary and even painful times of our lives.


Her grade school teacher, Mrs. Flowers, "started me reading. I read every book in the school library." But after five years of the child not speaking, Mrs. Flowers told her student that she wasn't in love with poetry. "But I was," insisted Dr. Angelou. "I did love poetry, I lived by it."

Then her teacher told her that until she spoke poetry from her own tongue, she would never be in love with poetry. Dr. Angelou knew then that she had to find her voice, "and I went looking for it!"

People often focus on the more sensational moments from Angelou’s memoir, but what moved me the most was a quiet scene in which she applies for a job as a San Francisco streetcar conductor and faces discrimination. After she gets the job, she has this epiphany: “Without willing it, I had gone from being ignorant of being ignorant to being aware of being aware.” This aphorism perfectly explained my life up to that day. Maya Angelou would remain a kind of literary conductor, as she, in her own words, “clanged and cleared” a way for me and for millions of other readers.

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I Know Why the Caged Bird Sings (Maya Angelou) | …

Angelou married Tosh Angelos, a sailor of Greek decent, in 1952, but Tosh's atheist ideals grew to be unacceptable to the devoutly religious Maya, and the marriage soon soured. Angelou's characteristic determination to emerge victorious from defeat, led her to a job as a dancer and bar girl in a strip joint where, once again, against all odds, she would reap success in the midst of meager circumstances. A gig as a singer and dancer in a trendy San Francisco club called The Purple Onion followed, and led to a role in a production of Porgy and Bess, with which she toured internationally for nearly a year.

Maya Angelou's Inaugural Poem | SpringerLink

Angelou married Tosh Angelos, a sailor of Greek decent, in 1952, but Tosh's atheist ideals grew to be unacceptable to the devoutly religious Maya, and the marriage soon soured. Angelou's characteristic determination to emerge victorious from defeat, led her to a job as a dancer and bar girl in a strip joint where, once again, against all odds, she would reap success in the midst of meager circumstances. A gig as a singer and dancer in a trendy San Francisco club called The Purple Onion followed, and led to a role in a production of Porgy and Bess, with which she toured internationally for nearly a year.

I Know Why the Caged Bird Sings by Maya Angelou, …

Upon her return, Angelou moved with her son to New York, where she sang at various clubs including the acclaimed Apollo Theater in Harlem. During this time too, Angelou honed her writing skills with the esteemed Harlem Literary Guild, where she made contacts that eventually led to her recognition as producer, director, and performer in Cabaret for Freedom. The off-Broadway revue, produced as a benefit for the Southern Christian Leadership Conference (SCLC), was a collaborative production with comedian Godfrey Cambridge. Angelou's organizational savvy brought her an offer in 1960, to succeed Bayard Rustin as the northern coordinator for the SCLC where, under the leadership of Dr. Martin Luther King, she involved herself in the ongoing struggle for civil rights. In the same year she met and married, South African freedom fighter Vusumzi Make. Again, Angelou and Guy moved; this time with Make to Cairo, Egypt where, despite her husband's restrictions, Angelou took a job as associate editor of the Arab Observer. By 1963, Angelou's second marriage was over and, determined to remain in Africa, Angelou moved to Ghana where, in her writings, she states that she felt at home for the first time in her life. In Ghana, Angelou served as an administrator for the School of Music and Drama at the University of Ghana, and acted as feature editor for the African Review. In subsequent works, Angelou speaks of her experiences in the world of business ( Singin' and Swingin' and Gettin' Merry Like Christmas, 1976), her emergence as a writer and political activist (The Heart of a Woman, 1981), and the relationship between Africa and black culture in America (All God's Children Need Traveling Shoes, 1986). Her books of autobiographical essays, Wouldn't Take Nothing for My Journey Now, and Even the Stars Look Lonesome, speak eloquently of aging, violence, rage, and black women (including her mother and her good friend, Oprah Winfrey). In addition to her obvious love for the spoken word, Angelou's artistic achievements are also evidenced in her numerous television appearances. She was nominated for an Emmy Award for her acting in Roots and Georgia, Georgia, a production which in 1971, also brought her notoriety as the first African- American woman to have an original screenplay produced. Among her numerous impressive honors are a Pulitzer Prize nomination for her works of poetry, Just Give Me a Cool Drink of Water 'fore I Die (1971), And Still I Rise (1976), and her membership in the Directors Guild was another first for African-American females. Included in Angelou's most recent commendations is an unprecedented request by Bill Clinton for her to write and deliver a poem for his 1993 presidential inauguration. Clinton describes Angelou as his favorite living poet. Delivered on January 20, 1993, On the Pulse of Morning, became a best-selling book, as it spoke to the undeniable and ultimate oneness of all individual groups, and challenged listeners to embrace their ability to effect the world positively in small, but often profound ways. The legendary poetess also wrote and delivered a poem for the historical Million Man March.

Maya Angelou: And Still I Rise is the first documentary about Dr

Upon her return, Angelou moved with her son to New York, where she sang at various clubs including the acclaimed Apollo Theater in Harlem. During this time too, Angelou honed her writing skills with the esteemed Harlem Literary Guild, where she made contacts that eventually led to her recognition as producer, director, and performer in Cabaret for Freedom. The off-Broadway revue, produced as a benefit for the Southern Christian Leadership Conference (SCLC), was a collaborative production with comedian Godfrey Cambridge. Angelou's organizational savvy brought her an offer in 1960, to succeed Bayard Rustin as the northern coordinator for the SCLC where, under the leadership of Dr. Martin Luther King, she involved herself in the ongoing struggle for civil rights. In the same year she met and married, South African freedom fighter Vusumzi Make. Again, Angelou and Guy moved; this time with Make to Cairo, Egypt where, despite her husband's restrictions, Angelou took a job as associate editor of the Arab Observer. By 1963, Angelou's second marriage was over and, determined to remain in Africa, Angelou moved to Ghana where, in her writings, she states that she felt at home for the first time in her life. In Ghana, Angelou served as an administrator for the School of Music and Drama at the University of Ghana, and acted as feature editor for the African Review. In subsequent works, Angelou speaks of her experiences in the world of business ( Singin' and Swingin' and Gettin' Merry Like Christmas, 1976), her emergence as a writer and political activist (The Heart of a Woman, 1981), and the relationship between Africa and black culture in America (All God's Children Need Traveling Shoes, 1986). Her books of autobiographical essays, Wouldn't Take Nothing for My Journey Now, and Even the Stars Look Lonesome, speak eloquently of aging, violence, rage, and black women (including her mother and her good friend, Oprah Winfrey). In addition to her obvious love for the spoken word, Angelou's artistic achievements are also evidenced in her numerous television appearances. She was nominated for an Emmy Award for her acting in Roots and Georgia, Georgia, a production which in 1971, also brought her notoriety as the first African- American woman to have an original screenplay produced. Among her numerous impressive honors are a Pulitzer Prize nomination for her works of poetry, Just Give Me a Cool Drink of Water 'fore I Die (1971), And Still I Rise (1976), and her membership in the Directors Guild was another first for African-American females. Included in Angelou's most recent commendations is an unprecedented request by Bill Clinton for her to write and deliver a poem for his 1993 presidential inauguration. Clinton describes Angelou as his favorite living poet. Delivered on January 20, 1993, On the Pulse of Morning, became a best-selling book, as it spoke to the undeniable and ultimate oneness of all individual groups, and challenged listeners to embrace their ability to effect the world positively in small, but often profound ways. The legendary poetess also wrote and delivered a poem for the historical Million Man March.

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